Tellus Audio Cassette Magazine


“Launched from the Lower East Side, Manhattan, in 1983 as a subscription only bimonthly publication, the Tellus cassette series took full advantage of the popular cassette medium to promote cutting-edge downtown music, documenting the New York scene and advancing experimental composers of the time – the first 2 issues being devoted to NY artists from the downtown no wave scene. The series was financially supported along the years by funding from the New York State Council of the Arts, Colab and the National Endowment for the Arts. Tellus publishers – visual artist and noise music composer Joseph Nechvatal, curator, former director of the Institute of Contemporary Art, Philadelphia and current director of The Jewish Museum (New York) Claudia Gould and new music composer Carol Parkinson, director of Harvestworks from 1987 on – never considered running an underground culture audio publication, rather envisaging the compact cassette medium as a no wave fluxus art form in itself. This was quite a unique point of view at a time (the early 1980s), when many self-released cassettes blossomed through mail order and trade between audio artists, mail art folks and hardcore punk bands who were promoting a mostly minimalism punk inspired DIY technique of more-or-less anti-art nihilism. But Nechvatal and Parkinson had met in the mid-1970s dancing as a performance art / minimal art dance trio (with Cid Collins) influenced by the post Merce Cunningham postmodern dance/choreography of Lucinda Childs, Deborah Hay, Yvonne Rainer and Carolee Schneemann (with whom they toured Europe in 1978). And they continued to see each other in the art music milieu of the rigorous downtown minimal music scene as they worked for the Dia Art Foundation as assistants to La Monte Young, Marian Zazeela and Pandit Pran Nath. So by contrast to a lax attitude, the Tellus Audio Cassette Magazine never indulged in rank amateurism. Their audio releases were always tightly focused, well researched and aptly curated. …”
Wikipedia
UbuWeb: TELLUS CASSETTOGRAPHY (Audio)
Continuo: Tellus cassettography

Concerts – Henry Cow (1975)


Concerts is a live double album by English avant-rock group Henry Cow, recorded at concerts in London, Italy, the Netherlands and Norway between September 1974 and October 1975. Sides one and two of the LP record consist of composed material while sides three and four contain improvised pieces. The album includes Henry Cow’s last John Peel Session, recorded in September 1975 and extracts from a concert with Robert Wyatt at the New London Theatre in May 1975. ‘Groningen’ (recorded in September 1974) is part of an instrumental suite where the band improvised around fragments of an early version of Tim Hodgkinson‘s ‘Living in the Heart of the Beast‘ from In Praise of Learning (1975). Another performance of this suite (in full) later appeared in Halsteren on Volume 2: 1974–5 of The 40th Anniversary Henry Cow Box Set (2009). …”
Wikipedia
BBC Review
ProgArchives
YouTube: Beautiful as the Moon; Terrible as an Army with Banners / Nirvana for Mice / Ottawa Song / Gloria Gloom (Video)
YouTube: Concerts 11 videos

News from Babel

News from Babel were an English avant-rock group founded in 1983 by Chris Cutler, Lindsay Cooper, Zeena Parkins and Dagmar Krause. They made two studio albums with several guest musicians (including Robert Wyatt) and disbanded in 1986. In the wake of English avant-rock group Henry Cow (1968–1978), Art Bears (1978–1981), a song-oriented group, was formed by three of Henry Cow’s members, drummer Chris Cutler, multi-instrumentalist Fred Frith and singer Dagmar Krause. In Art Bears’ wake, News from Babel emerged in 1983, comprising Cutler, Krause, Henry Cow woodwind player Lindsay Cooper, and United States harpist Zeena Parkins. It was Parkins’s first ‘rock group’ and the first time she had recorded with her harp. This new group followed the song-oriented approach of Art Bears, but with a different musical emphasis. Cooper composed the music and Cutler wrote the song texts. News from Babel were purely a studio group, and its formation, name and first album were inspired by literary critic George Steiner‘s 1975 book on language and translation, After Babel. Commenting on the group, Cutler said: ‘I liked the idea of a record as a letter or a newscast from a doomed but hopeful place.’ In 1983 they recorded Work Resumed on the Tower, the title referring to the Tower of Babel, with guest vocalist Phil Minton. At the same time they also recorded ‘Contraries’, a Parkins/Cutler composition released as a single with Work Resumed on the Tower subscription editions. In 1986 they made Letters Home, named after the title of one of Sylvia Plath‘s books. By this stage, Krause had left the group, but she still guested on the album, which also featured guest vocalists Robert Wyatt, Sally Potter and Phil Minton, plus guitarist Bill Gilonis from The Work, who also produced the album. Cooper’s music on both albums is a blend of rock, jazz and cabaret, while Cutler’s lyrics are literate, exploring Marxist themes and personal alienation. The group disbanded in 1986 after recording their second album. …”
Wikipedia
News From Babel – Sirens And Silences/Work Resumed On The Tower, Letters Home
Discogs (Video)
News From Babel (Lyrics)
bandcamp: Sirens And Silences/Work Resumed On The Tower (Audio), Letters Home (Audio)
YouTube: Letters Home FULL ALBUM 35:19

Hopes and Fears – Art Bears (1978)


“Hopes and Fears is the debut album by the English avant-rock group Art Bears. It comprises tracks by Henry Cow, Art Bears’s predecessor, recorded at Sunrise Studios, Kirchberg in Switzerland in January 1978, and tracks by Art Bears, recorded at Kaleidophon Studios in London in March 1978. Hopes and Fears began as a Henry Cow album, but after the first recording sessions in Switzerland, some of the members of the band were unhappy about the predominance of song-oriented material. As a compromise it was agreed that two albums would be made: the songs would be released by Fred Frith, Chris Cutler and Dagmar Krause as Art Bears, and the instrumental compositions would be released later by Henry Cow. The newly formed Art Bears recorded four more tracks in London to complete Hopes and Fears, which was released in May 1978. …”
Wikipedia
Genius (Audio)
Discogs
YouTube: Hopes and Fears 48:32