Theoretical Girls – “U.S. Millie”/”You Got Me” (1978)


Theoretical Girls were a New York-based no wave band formed by Glenn Branca and Jeff Lohn (a conceptual artist and composer) that existed from 1977 to 1981. Theoretical Girls played only about 20 shows (three of which took place in Paris). It released one single (‘U.S. Millie’/’You Got Me’), which had some attention in England where it sold a few thousand copies. The band was never signed by a record company, but is well regarded as an early leading No Wave group that mixed classical modern ideas of composition with punk rock. This experimental music was mostly supported by the New York art world and minimal art music audience. … Theoretical Girls was formed after Branca and Lohn’s previous group the Static and performed its first show at the Experimental Intermedia Foundation. Artist Jeff Wall came up with the band’s name during a discussion of women making conceptual art. The Theoretical Girls were among the most enigmatic of the late 1970s no wave bands of the New York underground rock scene, famous not so much for their music, since they released only one single during their brief existence, but because the group launched the careers of two of New York’s best known experimental music figures, composer Glenn Branca and producer Wharton Tiers. The latter played drums, the former guitar in the quartet, which also featured keyboardist Margaret De Wys and vocalist/guitarist Jeffrey Lohn, a classically trained composer who, like Branca and so many others in the no wave scene, wasn’t interested in working with popular musical forms until inspired to do so by the explosion of punk rock. The group’s sound shared aesthetics with the other no wave bands working in Manhattan at the time, such as The Contortions and DNA. Always confrontational and often funny in an aggressive way, the band’s sound consistently displayed the influence of American minimalist composers, ranging from sparse, clattering rhythm pieces that sound like immediate forebears of early 1980s Sonic Youth, to abrasive slabs of art-punk noise music. …”
Wikipedia
Theoretical Girls
YouTube: US Millie, You Got Me

Downtown 81


Downtown 81 (a.k.a. New York Beat Movie) is a film that was shot in 1980-1981 and released in 2000. The film, directed by Edo Bertoglio and written and produced by Glenn O’Brien and Patrick Montgomery, with post-production in 1999-2000 by Glenn O’Brien and Maripol, is a rare real-life snapshot of an ultra-hip subculture of post-punk era Manhattan. Starring renowned artist Jean-Michel Basquiat and featuring such Village artists as James Chance, Amos Poe, Walter Steding, and Tav Falco, the film is a bizarre elliptical urban fairy tale. In 1999, Michael Zilkha, founder of ZE Records (the label of several of the film’s artists), became the film’s executive producer. The film opens with Jean (Basquiat) in the hospital with an undisclosed ailment. After checking out, he happens upon an enigmatic woman, Beatrice (Anna Schroeder), who drives around in a convertible. He arrives at his apartment only to discover that his landlord, played by former Yardbirds manager Giorgio Gomelsky, is evicting him. … Jean-Michel Basquiat was homeless at the time of the movie and slept in the production office during most of the shooting. The film production crew bought Basquiat canvas and paints to make paintings for the film. The paintings that appear in the movie belonging to Basquiat’s character are by Basquiat himself, and among his first canvases. … The soundtrack features music by: Jean-Michel Basquiat with Andy Hernandez; Basquiat’s own band, Gray; John Lurie and the Lounge Lizards, DNA, Tuxedomoon, the Plastics, Marvin Pontiac, Kenny Burrell, the Specials, Chris Stein, Melle Mel with Blondie, Liquid Liquid, Kid Creole and the Coconuts, James White and the Blacks, Vincent Gallo, Lydia Lunch, Steve French and Suicide. Many of the recordings were of live performances, but DNA and Tuxedomoon were recorded in the studio for the soundtrack. …”
Wikipedia
The Dissolve
amazon
Archive: Downtown 81 1:07:02