“England has a way with myths. Since the dawn of the popular music era, the English have stolen their music from their colonies and then written the history books to say they invented it. They don’t exactly call it ‘The British Invasion’ over there. Truth be told, whether it was an American, an Indian, or a Jamaican—if you were English and played any instrument except the lute, anytime after 1950, somebody who used to make your sugar had been there first. In most cases, the play-by-play of who stole what is fairly apparent. The Rolling Stones nicked from Howlin’ Wolf. The Who from Chuck Berry. The Beatles ripped off Ravi Shankar, and the Police basically kept Jamaica as a musical banana republic. The end. But one story of theft—or tribute—that runs a little more below the surface is that of ‘King Tubby Meets Rockers Uptown’ the dub reggae single by Augustus Pablo and King Tubby that may have accidentally reinvented punk. Without ‘King Tubby Meets Rockers Uptown’ there would be no post-punk. …”
Dusting Em Off: Augustus Pablo – King Tubby Meets Rockers Uptown
W – King Tubby Meets Rockers Uptown
Discogs
YouTube: King Tubby Meets Rockers Uptown [full album] 48:25
Category: Augustus Pablo
Dub music
“Dub is a genre of music that grew out of reggae in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, and emphasizing the drum and bass parts (this stripped-down track is sometimes referred to as a riddim). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, and occasional dubbing of vocal or instrumental snippets from the original version or other works. It was an early form of popular electronic music. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects. Dub was pioneered by Osbourne ‘King Tubby’ Ruddock, Lee ‘Scratch’ Perry, Errol Thompson and others in the late 1960s. Augustus Pablo is credited with bringing the melodica to dub, and is also among the pioneers and creators of the genre. Similar experiments with recordings at the mixing desk outside the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. … Dub music is in conversation with the cultural aesthetic of Afrofuturism. Having emerged from Jamaica, this genre is regarded as the product of diaspora peoples, whose culture reflects the experience of dislocation, alienation and remembrance. Through the creation of space-filling soundscapes, faded echoes, and repetition within musical tracks, Dub artists are able to tap into such Afrofuturist concepts as the nonlinearity of time and the projection of past sounds into an unknown future space. …”
Wikipedia
Dubbing Is A Must: A Beginner’s Guide To Jamaica’s Most Influential Genre
In A Dub Style (All Vinyl Roots Reggae Dub Mix) (Audio)
Punk Scrawled Artist 